Monday, May 22, 2017

Yi 1350: a difficult day

doom, gloom and sense of sky falling. having a hard time shaking it.

Legge: The sixth line, magnetic, shows its subject with the horses of her chariot obliged to retreat, and weeping tears of blood in streams.
Wilhelm/Baynes: Horse and wagon part. Bloody tears flow.
Blofeld: He hesitates like a man trotting to and fro or like one shedding blood and tears.
Liu: He goes back and forth on horseback. He sheds tears with blood! [Arrogance leads to misfortune, perhaps extreme misfortune.]
Ritsema/Karcher: Riding a horse, arraying thus. Weeping blood, coursing thus.
Shaughnessy: A team of horses vexatious-like, dipping blood streamingly.
Cleary(1): Mounted on a horse, not going forward, weeping tears of blood.
Wu: The horse carriage falters along. Tears roll down from the rider’s eyes.
Confucius/Legge: She weeps tears of blood in streams -- how can the state thus emblemed continue long? Wilhelm/Baynes: How could one tarry long in this! Blofeld: How could a flow of blood and tears endure for long? [In other words, our present troubles will pass away in time.] Ritsema/Karcher: Wherefore permitting long-living indeed? Cleary (2): Weeping tears of blood – what can last? Wu: Only despair remains.
Legge: The sixth line is magnetic, as is her third line correlate. She is at the extremity of Peril -- the game is up. What can remain for her in such a case but terror and abject weeping?
Siu: The man fails to overcome the initial difficulties and despair.
Wing: You have lost your perspective. You can no longer see your initial difficulties realistically, nor can you find your way out. This is disgraceful and will cause you much regret. It is best to begin again.
Anthony: Desire and fear prevail. The child in us rules. Despairing, we give up our path. “One should not persist in this.”
Editor: Lines two, four and six all show horses in retreat: strong images of psychological turmoil and confusion; two and four have proper correlates however, so they present the possibility of at least some kind of reconciliation. Here, the correlate is line three, who is depicted as being "lost in the woods.” At its most neutral, the image is one of severe disunion. Wilhelm and Blofeld state that the situation is not a lasting one, so all need not be lost if you seek a totally new and perhaps currently unrecognized connection.
In our ordinary life we are limited and bound in a thousand ways -- the prey of illusions and phantasms, the slaves of unrecognized complexes, tossed hither and thither by external influences, blinded and hypnotized by deceiving appearances. No wonder then that man, in such a state, is often discontented, insecure and changeable in his moods, thoughts and actions. Feeling intuitively that he is "one," and yet finding that he is "divided unto himself," he is bewildered and fails to understand either himself or others. No wonder that he, not knowing or understanding himself, has no self- control and is continually involved in his own mistakes and weaknesses; that so many lives are failures, or are at least limited and saddened by diseases of mind and body, or tormented by doubt, discouragement and despair. Roberto Assagioli -- Psychosynthesis
A. Severe disunion prevails, but need not be permanent if you seek a totally new connection.

Legge: The first line, dynamic, shows its subject as a driver who drags back his wheel, or as a fox which has wet his tail. There will be no error.
Wilhelm/Baynes: He brakes his wheels. He gets his tail in the water. No blame.
Blofeld: He brakes the wheel of his chariot and gets the rear part wet -- no error!
Liu: The brake to the wheel. The tail gets wet. No blame.
Ritsema/Karcher: Pulling back one's wheels. Soaking one's tail. Without fault.
Shaughnessy: Dragging his ribbon, wetting his tail; there is no trouble.
Cleary (1): Dragging the wheel, wetting the tail, there is no fault.
Cleary (2): Dragging the wheels – it is right that there be no problem.
Wu: The wheels are pulled back. The tail is immersed in water. There will be no error.
Confucius/Legge: As we may rightly judge, there will be no mistake. Wilhelm/ Baynes: According to the meaning, there is no blame in this. Blofeld: Since we manage to stop at the right moment we are not to blame for what happens. Ritsema/Karcher: Righteous, without fault indeed. Cleary (2): (None.) Wu: In principle there is nothing wrong.
Legge: Line one, the first of the hexagram, represents the time immediately after the successful completion of something -- a time for resting and being quiet. For a season at least, all movement should be hushed. Hence we have the symbolism of a driver trying to stop his carriage, and a fox who has wet his tail, and will not attempt the stream again.

Siu: At the outset, the man is not caught in the intoxication of the masses during a great transition. The general pressure finally overwhelms him. However, this occurs only at the last minute, after he has successfully completed the enterprise.
Wing: As you move forward with your plans, the pressure starts to build and you feel an urge to reconsider. You must face the fact that you will be affected by the events that you have inexorably set into motion, but not detrimentally, as you are generally correct.
Editor: Wilhelm, Blofeld and Liu all use the image of brakes to stop a wheel. If the hexagram is turned upside down it becomes number sixty-four, Before Completion or Unfinished Business, and this line becomes number 64:6 which has a similar message. Even the fox is mentioned. The image is one of avoiding danger by holding back.
The contented man meets no disgrace;
Who knows when to stop runs into no danger --
He can long endure.
Lao Tzu
A. Stop pushing -- hold and consolidate your position.
B. "Leave well enough alone."

Line 1 Breaking the wagon wheels the tail gets wet = no blame. Changes to (39) Obstruction. During any transition from completion to renewal the way forward can appear confusing. Change is often accompanied by mistakes or missteps. You can think that you are on cruise control and suddenly get a flat tire that stops you in your tracks. There is not any real harm, but you are warned that the path you were on is changing. Any obstacles you meet are simply slowing you down so that you can examine the proper way forward.

I sense making progress through a certain section of Boots would not hurt.

Legge: The fifth line, dynamic, shows its subject amidst the dispersion issuing his great announcements as the perspiration flows from his body. He scatters abroad also the accumulations in the royal granaries. There will be no error.
Wilhelm/Baynes: His loud cries are as dissolving as sweat. Dissolution! A king abides without blame.
Blofeld: Scattering perspiration, he issues his royal command. The King disperses the treasures in his palace among the people -- no blame. [One additional commentary suggests that perspiration comes from illness and anxiety and that the meaning is: "The King rids himself of cause for anxiety by ordering that his goods be dispersed among the needy.” Again, large generosity is required for our success.]
Liu: Dispersion is like sweat pouring from the body, with loud cries. Separation from the king's palace. No blame.
Ritsema/Karcher: Dispersing sweat, one's great crying out. Dispersing. Kinghood residing, without fault.
Shaughnessy: Dispersing his liver with a great cry. Dispersing the king's residence; there is no trouble.
Cleary (1): Dispersing defilement, that is a great directive. The dispersing king remains impeccable.
Cleary (2): Scattering sweat; the great call scatters. The king abides. There is no fault.
Wu: At the time of dispersion, he proclaims with loud voice until he perspires. He distributes the contents in the royal residence. No error.
Confucius/Legge: The accumulations of the royal granaries are dispersed, and there is no error -- this is due to the correctness of the position. Wilhelm/Baynes: He is in his proper place. Blofeld: The correct position of this ruling line. Ritsema/ Karcher: Correcting the situation indeed. Cleary (2): This is the right position. Wu: His position is correct.
Legge: Line five shows us the proclamations and benevolent actions of the ruler himself. Canon McClatchie gives an ingenious and original note upon the symbol of the perspiration: “As sweat cures fevers, so do proclamations cure rebellions.”
Siu: The man announces a great policy during a period of disunity and deadlock which serves as a rallying point for reforms. Misunderstanding is thereby dissipated by his proclamation.
Wing: During times of discord and disunity a great proclamation or inspiring idea is necessary to again reunify the situation. In this way, others put aside their factionalism and work together once again.
Editor: Perspiration is a healing release of energy in response to somatic disequilibrium: a catharsis. The definition of catharsis is: "Any purification or purgation that brings about a spiritual renewal or a satisfying release of tension.” Wilhelm interprets this as an idea or concept: “In times of general dispersion and separation, a great idea provides a focal point for the organization of recovery.” Psychologically interpreted, "royal granaries” (or "treasures”) are wellsprings of libido or Chi (Qi). The line thus suggests psychic energy being redistributed as the result of the elimination of a previously blocked condition. The keywords are redistribution/ reorganization -- showing how the forces symbolized in this hexagram and Number 45, Contraction, comprise the expansion and contraction phases of a larger evolutionary process. At its most neutral, the line can depict any sudden release of energy, such as conversational enthusiasm.
Shaughnessy’s rendering: “Dispersing his liver with a great cry…” suggests a connection with Chinese medicine which may be useful in interpreting the symbolism of this line:
“Traditional Chinese physiology tells us that the healthy liver establishes a smooth and soothing flow of energy through the whole person, in both body and mind … When obstructed, stagnant, or overheated, the energy flow in the liver and throughout the body is hampered, resulting in myriad physical and emotional problems … Mood swings as well as emotional excesses in general are liver-related … From the Five Element perspective, an excessive and “greedy” liver not only steals from its mother, the kidneys, but…also refuses to give sufficient energy to its own son, the heart. One of the most efficient ways of improving the condition of the liver is to give its excess a place to go, and the obvious place is where it naturally flows – to its son, the heart. By strengthening the heart and encouraging it to receive energy, the liver is encouraged to release its excess .”
P. Pitchford – Healing with Whole foods
A. Release of tension ("letting-go") creates a nourishing catharsis.
B. Image of a beneficial reorganization of some kind: perhaps of ideas or beliefs.
C. "You can't make an omelet without breaking eggs."

No comments:

Post a Comment